Case Study

Case Study

Vive Cafeto

The following is a brief summary of a year-long thesis project I undertook as part of a multidisciplinary design team in my last year at CEDIM

Revitalizing Local Coffee

Producers via Sustainable Design

The following is a brief summary of a year-long thesis project I undertook as part of a multidisciplinary design team in my last year at CEDIM

In 2010, a devastating scenario emerged in the world of coffee in Mexico, when a plague called “Roya” impacted the state of Chiapas and destroyed more than 60% of coffee production, putting multiple coffee companies out of business. That's when Vive Cafeto was born as an initiative of GARCOMEX, one of the largest coffee roasters in Mexico. Vive Cafeto arose from the need to help Mexican coffee growers renew coffee plantations affected by the plague.

The main objectives of this project were to achieve sustainable development within the impacted communities, improve the quality of life of affected families, promote the production of local varieties of coffee in Mexico, and show these communities that using the wood from dead coffee trees could create an alternative income stream.

This was the first time that producers from an ejido (a piece of land farmed communally under a system supported by the state) in the state of Chiapas were invited to participate in the renovation of their coffee plantations affected by the plague. The producers of the ejido were advised by external engineers and technicians for three years who were aware of the evolution of the plant and provided new techniques to plant and care for varieties. These techniques were previously unknown to these coffee farmers.

In Mexico, coffee is synonymous with identity and tradition. It underpins an economy of three million people linked directly and indirectly by the production, transformation and commercialization process.

The economic impact and the social and ecological benefits that coffee produces in Mexico are of considerable importance. The product represents 5% of GDP, both because of the strong income obtained from exports and because of the thousands of jobs that this crop generates.

Conclusion

We were a multidisciplinary group comprised of students from different fields. Industrial design students taught coffee farmers how to manage the wood and transform it into a physical product. Marketing and graphic design, which I was part of, worked more directly with Garcomex and Vive Cafeto to create a brand redesign and raise Mexican consumers’ awareness of the product. In doing so, we generated interest in the development of organic coffee and the stories behind the process of this product, from when it is planted until it reaches the hands of the consumer. The ultimate goal was to achieve a greater consumption of Mexican coffee within our country and develop an appreciation for what this product really represents, a quality product representative of the local economy and the work of many farmers.

People from the community (coffee farmers and their families) learned how to cut, sand, and seal the wood pieces that were sold to generate donations for Vive Cafeto. Codesign workshops helped bring the community together and allowed men, women, and young children to work together on carpentry activities. New products were created with coffee wood: keyrings, flower pots, and lamps are just a few examples. The community is currently working with wood and experimenting with new designs. They have created a new identity for the community and are taking care of their new coffee plants.